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How we work

Newly added or updated in 2008:
Pullman, Massa, Utzon. You can look ahead at what's coming up on our "howwework" list on delicious.

What is "How we work"?
We're interested in the habits, rituals and small (and occasionally big) methods people and teams use to get their work done. And in the specific anecdotes and the way people describe their own relationship to their own work. Here's a list of some stories and habits. Not sure it is actually useful for anything. Do any patterns emerge across stories, other than the obvious stories of super-focus, super-dedication?

These examples are mostly "names" because the list so far is mostly from published sources, but everyone's stories and habits are interesting, so go ahead and add yours in the comments.

How we work:

  1. Ben Ainslie, sailor
  2. Apelles, artist
  3. Fred Astaire, entertainer
  4. Frank Auerbach, artist
  5. Autechre, musicians
  6. Francis Bacon, artist
  7. Francis Bacon, Elizabethan polymath
  8. J.G. Ballard, author
  9. Walter Benjamin, writer
  10. David Blunkett, politician
  11. Edward de Bono, psychologist
  12. Ray Bradbury, author
  13. Rodney Brooks, robotics researcher
  14. Anthony Burgess, author
  15. Jensen Button and Fernando Alonso, Formula 1 drivers
  16. Truman Capote, author
  17. John Cage, composer, artist
  18. Santiago Calatrava, architect
  19. Ethan Canin, author
  20. Pablo Casals, cellist
  21. Paul Cezanne, artist
  22. David Chase, scriptwriter
  23. Bruce Chatwin, author
  24. Tracy Chevalier, author
  25. Christo and Jeanne-Claude, artists
  26. Chuang-tzu, artist
  27. Joel and Ethan Coen, directors
  28. Don DeLillo, author
  29. Cory Doctorow, author
  30. Arthur Conan Doyle, author
  31. Jean-Baptiste Corot, artist
  32. Umberto Eco, academic/author
  33. Viatcheslav Ekimov, professional cyclist
  34. Warren Ellis, comic writer
  35. Ralph Ellison, author
  36. James Ellroy, author
  37. Tracey Emin, artist
  38. Brian Eno, musician/artist
  39. Jeffrey Eugenides, author
  40. Michel Faber, author
  41. Mohamed al-Fayed, retailer
  42. Bobby Fischer, chess player
  43. Jonathan Safran Foer, author
  44. Gustave Flaubert, author
  45. Lucian Freud, artist
  46. Stephen Fry, actor/writer
  47. Neil Gaiman, author
  48. Ricky Gervais, broadcaster/entertainer
  49. Malcolm Gladwell, writer
  50. William Gibson, author
  51. Giotto, artist
  52. Phil Gyford, designer
  53. Paul H, lawyer
  54. Dashiell Hammett, author
  55. Gustav Hasford, author
  56. Hergé, artist
  57. Al Hirschfeld, cartoonist
  58. Damien Hirst, artist
  59. Howard Hodgkin, artist
  60. John Irving, author
  61. Henry James, author
  62. Mark Kostabi, artist
  63. Anthony Lane, critic
  64. Fernand Léger, artist
  65. Elmore Leonard, author
  66. Sven Lindqvist, author/historian
  67. Franz Liszt, composer/pianist
  68. Thomas Mahon, bespoke tailor
  69. Felipe Massa, Formula 1 driver
  70. Scott McNealy, entrepreneur
  71. David Mitchell, author
  72. Joseph Mitchell, writer
  73. Grant Morrison, comic writer
  74. Haruki Murakami, author
  75. Walter Murch, sound designer/film editor
  76. Bill Murray, actor
  77. Oscar Niemeyer, architect
  78. Nick Nolte, actor
  79. Pierre Omidyar, entrepreneur
  80. Eduardo Paolozzi, artist
  81. Pablo Picasso, artist
  82. Camille Pissarro, artist
  83. Jackson Pollock, artist
  84. Philip Pullman, author
  85. Ian Rankin, author
  86. Steve Reich, composer
  87. Arthur Rimbaud, poet
  88. Clifford Ross, photographer
  89. Philip Roth, author
  90. Raymond Roussel, author
  91. Jack Schulze, designer
  92. Will Self, author
  93. Robert Schumann, composer
  94. Martin Scorsese, director
  95. Ricardo Semler and Semco, entrepreneur
  96. Georges Seurat, artist
  97. Robert Louis Stevenson, author
  98. David Thomson, author/critic
  99. Anthony Trollope, author
  100. Jorn Utzon, architect
  101. Paul Valéry, poet
  102. Various: writing standing up, in bed
  103. Karl Weschke, artist
  104. Billy Wilder, director
  105. Virginia Woolf, author
  106. Benjamin Zander, conductor

Yes, and there's more to come... So far these are about individuals, but there is much to add on other companies and groups. And there are other sites that offer more useful information and applicable tips, such as Daily Routines (new! and good!), Lifehacks, 43 Folders, Michael McDonough and Milton Glaser, or even Trade Tricks.

PS: Want to contact someone listed here?
Firstly, note that this website doesn't have their contact details. If they're an author, you could look inside one of their books for their publisher, and then write to the publisher. If they're an artist, you could look online to find who their dealer is, and then write to the dealer. If they're a business person, you could look on their company's website for a contact address. If... you get the point - I don't have their contact details for you. No, not even for Bill Murray, Santiago Calatrava and Mohamed al-Fayed, sorry.

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Comments

That's the thing about the films we've made, that they are an appropriation of a lot of mistakes, and I think that's a really important dialogue that I should have with other kids... You can't learn how to make films. You gotta make mistakes and you have appropriate the mistakes, and then you learn from those things, and then you have a voice. -- Christopher Doyle, cinematographer on Wong Kar-Wai's Days of Being Wild, Chung King Express and Zhang Yimou's Hero.


http://www.greencine.com/article?action=view&articleID=168

isn't this a list of how male artists work? where are the women?

Yes, you're right, but that wasn't the intention. The women are in the same place as all the other men: still on our list to do, it's just worked out that way so far.

Feel free to help Tara: suggest some names and their methods/routines.

Here's one to start us off. Virginia Woolf used to write standing up:
http://rodcorp.typepad.com/rodcorp/2004/12/how_we_work_vir.html

George Sand, the French 19thc writer (and a woman), also used to write standing up.

I conduct a similar project in search of where people get their flash of ideas ("Creativity Gallery"), which can be found on my magazine's site. It is a collection of answers of people from all around the world, man and female, famous or not. Hope your entries grow, as I believe that anything which shows the impact of creativity is worthwile to read and to collect.

My best wishes,
Steffen Konrath
--
Editor-In-Chief
IM-BOOT
Creative People Worldwide
Free Online Magazine

There's an interesting article on writers' different writing styles at:

http://www.daily-self-improvement.info/archives/how_to_identify_your_own_style_of_writing.html

Where is Virginia Woolf? The link on her name goes to Zander.

New Yorker writer Malcolm Gladwell talks about how he works in this Guardian article:

http://books.guardian.co.uk/departments/politicsphilosophyandsociety/story/0,6000,1430717,00.html

I like to begin with the relationship of my work to my time. I think a 'project' (a unit of work for a specific time range) is a better way of approaching a specific, complex task. I still think specialization in 3 or 4 areas is necessary for experience and context. I sort of felt my way around the topic with my post 'On Work' (http://frye.blogs.com/thebox/2004/10/on_work.html). But as soon as I am settled and working in Berlin, I will be fleshing out this topic in much more detail. Thanks for the post.

you may have seen this already; the writers of the onion revealed at:
http://www.sptimes.com/2005/04/12/Floridian/Peeling_the_Onion.shtml

their style: argue until it's right.

This on Paolozzi from the Guardian obit - feel free to delete this comment, Mr Rod, if you want to repurpose into a proper post in this series .... D.

"Those who knew him rarely saw Paolozzi at work. His day seemed to consist of diversions. He would flip idly through magazines or folders filled with clippings, go for a drink at the Chelsea Arts Club close to his studio, lunch at the Royal College of Art, or dine in one of the several restaurants where, thanks to gifts of his sculpture or prints, he never saw a bill. But he was prodigiously productive, working for several hours very early in the morning and late at night, when he knew he would not be interrupted."

http://www.guardian.co.uk/obituaries/story/0,,1468451,00.html

There's a section you might be interested in from Harold Pinter's nobel acceptance speech about how he works...
http://nobelprize.org/literature/laureates/2005/pinter-lecture-e.html

Great blog!

need to put pictures on of the artrists work so that people can see wat extrdinary pices of art they do in there busy life

If I could explain to anyone how I work to end up with the stories I write.I would not be able to call what I do work.
The fact is I don't think of what I am doing as work. I have to write,the characters live inside my mind until I release them to paper. Besides, I haven't received a dime for anyhting I've done. My first screen play is somewhere in Oliver Stone's office buried in a file cabinet or shredded by now. Doesn't one usually get paid for work?

PEOPLE ARE CHANTING "LEM YOU IN" INSIDE OF ME. IT IS A CRY OF DESIRES...A FINANCIER APPRECIATED. IF YOU ARE OF FURTHER HELP,
EMAIL.ME

I believe that women have work habits, too. I did not find many of them on your list. I think that is why fewer women than men get published. Hardly anyone but another woman cares or dares to hear them.

P.S. Time to update your website. No comments since 2006?

Nancy, as was mentioned a while back (see the comment above at http://rodcorp.typepad.com/rodcorp/2004/12/how_we_work.html#comment-3049023), do please feel free to help in that effort by suggesting some work habits of women - I'd love to feature more of them.

I am a web and information designer. Unlike most creative professionals (writers, designers, software developers) I keep my physical and mental workspace scrupulously clean and undecorated. I clean my physical workspace every morning upon arriving and delete or file the stuff on my computer desktop every afternoon upon leaving. I have seen my "productivity" treble or quadruple since acquiring this habit. I write more about this on my blog (http://axoplasm.blogspot.com/2008/02/perspective.html)

I once read Michael Caine's description of working with Sir Laurence Olivier on Sleuth. Olivier turned up the first day and was morose, couldn't get to grips with the part. The next day he was wearing a moustache and it fell into place. He said it was always like that for him, he needed some bit of business, a bit of costume, to make a part work. It's like that for me, I think. I can't get interested in a book until I've found something to do with the page - Japanese characters, statistical graphics, anything that isn't just English sentences. I do sometimes write books by racking up 1000 words a day, but they go on feeling tame and unadventurous until I find something that changes the texture of the page.

Thanks for that Helen - I'm going to add your thoughts as a new entry to How We Work, so do feel free to add more!

A woman's POV: well, I have a moleskine journal, (http://www.powells.com/biblio/66-9788883705045-0), which I use to write everything I do at work down. When I make a call, I carry the phone number and notes from the discussion forward. I also write down everything that happens at meetings. To differentiate between days/meetings/calls I change the color of the pen I am using. I have a rainbow set of pens on my desk, ready to use. This book has saved my bacon many times. It is hard to forget to do things when you write them down...

You really need to do a better job at finding some women to interview.

Angela, as was mentioned a while back, do feel free to help in that effort by suggesting some work habits of women.

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