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Excerpts from Kuspit's A Critical History of Twentieth Century Art.
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Duchamp may be the first modern artist to take God's prohibition against "hewn" objects to heart. [...] Duchamp's work relies on a leap of faith: that new thought structures can be formed based on things already in the world.
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Matthew Collings gets a bit spiky about Grayson Perry's pots in a 2003 interview
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"the real triumph is Faber's restrained, almost opaque prose. This is a man who could give Conrad a run at writing the perfect sentence."
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